![]() Although the bewilderingly unpolished, 90-minute double-disc has accrued a cult following of sorts in the years since its release, it remains an experiment that many would prefer not to rehash. The consensus lowpoint of Cudi’s unpredictable spurts of output, SB2H is an execrable grunge-rap game of Russian roulette. If WZRD was middling artistic whimsy, then SBH2 is a sharp stylistic swerve that missed the mark entirely. In the case of Speedin’ Bullet 2 Heaven, the latter is the principal outcome of this dichotomy. If you missed it, you may also enjoy our Top 30 Best Kid Cudi Songs here.Ĭudi’s self-mythologizing is polarizing in its ability to either beckon the listener in or push them away. But when Cudi captures the magic that first enthralled listeners on A Kid Named Cudi, he delivers music that pierces the outermost reaches of the imagination. As is the case with every artist’s discography, no two albums are created equal: times change and so do the creators behind the music, often to the chagrin of critics and casual listeners alike. His unabashed willingness to experiment, paired with his consistent pursuit of authenticity, is admirable, even if there have been lulls along the way. ![]() ![]() These in-the-booth therapy sessions, some abstract and some straightforward, criss-cross galaxies while allowing Cudi to speak his truth into a world terrified of being eaten alive by loneliness. Elsewhere, he’s a whirling dervish slamming his fists into walls and seething about the shortcomings of fame. At times, his auto-tuned dancing is the focal point of glitchy cloud rap and ethereal dream pop orchestration. There is nothing superficial about Cudi’s artistry, and his intimate understanding of the power of music is peppered with various ingredients. The apparitions that have haunted him over the course of his well-documented journey from childhood trauma to addiction to redemption and ultimately rehabilitation have been the muse for impeccable soundscapes and unshakable sadness. Cleveland’s finest has left an undeniable mark on modern music, his musical exorcisms providing a guiding light to those looking to face their fears. In the decade since he cut his teeth contributing to the music of Jay and Ye, Cudi has become a legend in his own right. " While Kanye has certainly proven himself prone to hyperbole, such a statement is not too far off from the truth. At a concert in December 2016, Kanye West christened Cudi " the most influential artist of the past ten years. It’s no secret that Kid Cudi is a revered source of inspiration among both his peers and his deeply committed fanbase. While it might take a few listens to make sense of the album's seemingly muddled introduction, one thing is clear: by the end of this hour-long journey, Cudi has reached his destination.Retracing the full-length highs and lows of Scott Mescudi’s collection. Late highlights comes in the form of the unexpected and introspective Phoebe Bridgers collaboration “Lovin’ Me”, in which the song’s protagonists tread a path of self-discovery, and the equally invigorating “The Pale Moonlight”, which utilises sparkling arpeggios and hushed delivery at times to make for effortlessly gripping results. “Elsie’s Baby Boy (flashback)” sees him tackle an unconventional 6/8 time signature atop marching drums and glacial synth pads. By Act 3, ‘Heart of Rose Gold’, he’s in his element. Pop Smoke and Skepta), he tries his hand at drill, deftly weaving in and out of pizzicato violin passages. ![]() On “Heaven on Earth”, the Cleveland singer, rapper and producer glides with ease over twinkling music box melodies, and on the electrifying “Show Out” (feat. Things get progressively better with Act 2, where he begins to take more risks and sounds more self-assured. Largely zeroing in on current rap trends, this run of songs lacks individuality, with “She Knows This” sounding as though it could have been written for Travis Scott or Lil Uzi Vert. The heavy-handed opening chapter "Return 2 Madness" – formed of the first five tracks – lives up to its name. Segmented into four ‘acts’ demarcated by short bursts of noise, the album tells a story and increasingly rewards listeners for their patience, with Cudi “fighting to win back his soul” and gradually finding his stride over the course of the project. As its liner notes explain, Scott Mescudi is continually plagued by dark thoughts, which manifest themselves in the form of his imaginary nemesis, Mr. In essence, The Chosen is a concept album, picking up where its two predecessors left off.
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